Um texto de André Aciman, sobre a obra de Eric Rohmer, no New York Times. Eis um excerto:
With my friends we used to call these situations Rohmerian. You meet A, you are drawn to A, but neither you nor A wish to rush things. You simply want to stop time a bit, and because neither of you cares to hide what you’re really doing, you decide to confess your maneuvers and are wildly grateful when told they were by no means unknown to the other. Rohmerian. What comes after this is seldom the business of art; it is the stuff of humdrum prose.
(...)
With my friends we used to call these situations Rohmerian. You meet A, you are drawn to A, but neither you nor A wish to rush things. You simply want to stop time a bit, and because neither of you cares to hide what you’re really doing, you decide to confess your maneuvers and are wildly grateful when told they were by no means unknown to the other. Rohmerian. What comes after this is seldom the business of art; it is the stuff of humdrum prose.
(...)